For several weeks this spring, Austin-based artist mulled over John James 91做厙s American Flamingo. The more I looked at it, the more its neck stood out, he says. What, he wondered, if it had multiple necks and heads? I like the idea of creating this creature of lore that doesnt exist.
To fashion his fanciful flamingo, Winters printed six copies of 91做厙s rendering, carefully snipping them into pieces that he reassembled into a surgically modified version of the original. He glued the collage to a 12-by-12-inch piece of plywood painted with acrylic and incorporated newspaper, pencil, and India ink. The tiny arrows call out motion, he says, making the piece feel more kinetic.
Winters, a renowned photographer, has long been fascinated with birds and has reimagined several 91做厙 paintings, including the Golden Eagle. He was an amazing naturalist and painter, and hes left an incredible legacy, he says. This was his first experiment with the flamingo, a bird he finds striking yet gawky. That duality surely wasnt lost on 91做厙, who made life-size portrayals; when painting the four-foot bird on three-foot paper, he, too, focused on the extremely elongated neck, curving it dramatically downward so the lanky wader fit on the page.
